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home·artworks·Squire John Wilkinson
Squire John Wilkinson by Thomas Gainsborough

plate no. 4728

Squire John Wilkinson

Thomas Gainsborough, 1776

oil, canvasRococoportraitportraitfigurelandscapetreesclothingfoliage
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering realistic skin tones, as well as understanding how to create depth and atmosphere in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the main landscape elements.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the major color areas, starting with the background landscape and then moving to the figure.

  4. step 04

    Refine the skin tones, paying close attention to the subtle variations in color and value.

  5. step 05

    Develop the details of the clothing, including the folds and textures.

  6. step 06

    Add the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Work on the details of the tree and foliage, using a variety of brushstrokes to create texture.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · ivory black · titanium white · raw umber · yellow ochre

secondary · cadmium red light · viridian · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Mix greens by combining blue and yellow.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the skin tones.
  • →Creating muddy colors by overmixing.
  • →Losing the overall sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is a good starting point.

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