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home·artworks·Springtime
Springtime by Sabin Balasa

plate no. 6187

Springtime

Sabin Balasa

oilSurrealismsymbolic paintingfiguresmountainsskyinstrumentshairlandscape
some experience helpful

Recreating this painting will help students develop skills in figure painting, particularly rendering skin tones and hair texture, as well as atmospheric perspective in landscapes. Students will also learn to create a surreal and symbolic composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the landscape.

  2. step 02

    Block in the background with light blues and greens, creating a sense of atmospheric perspective by making distant mountains lighter and bluer.

  3. step 03

    Establish the base skin tones of the figures using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin layering the hair with varying shades of blue, creating texture with short, directional brushstrokes.

  5. step 05

    Paint the instruments with a mix of yellow ochre and burnt sienna, adding highlights and shadows to give them form.

  6. step 06

    Refine the figures' facial features, paying attention to the subtle details of the eyes, nose, and mouth.

  7. step 07

    Add final details to the landscape, such as trees and foliage, using darker greens and browns.

  8. step 08

    Glaze the entire painting with a thin layer of medium to unify the colors and add depth.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · sap green · cadmium red

Mix skin tones using white, yellow ochre, and a touch of red. Create various shades of blue for the hair by mixing ultramarine blue with white and a touch of black. Achieve atmospheric perspective by lightening and bluing colors for distant elements.

techniques

  • ·blending
  • ·layering
  • ·glazing
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →overworking the skin tones
  • →flattening the hair texture
  • →losing the sense of depth in the landscape
  • →inaccurate proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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