apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spring in Kurama Temple
Spring in Kurama Temple by Asano Takeji

plate no. 3040

Spring in Kurama Temple

Asano Takeji, 1953

oilShin-hangacityscapetempletreesfiguresstairsarchitecturecherry blossoms
some experience helpful

Recreating this painting will help students develop skills in layering colors, creating depth through atmospheric perspective, and accurately rendering architectural details. It also provides practice in simplified figure drawing and composition.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the temple structure and the staircase.

  2. step 02

    Block in the main color areas: sky, mountains, trees, and temple roof.

  3. step 03

    Add the red color to the temple structure, paying attention to the details of the architecture.

  4. step 04

    Paint the cherry blossoms with light pink and white, creating a soft, blurred effect.

  5. step 05

    Add the figures on the staircase, simplifying their forms and clothing.

  6. step 06

    Paint the details of the staircase and the surrounding landscape, including the stones and the ground.

  7. step 07

    Refine the details of the temple and the trees, adding shadows and highlights.

  8. step 08

    Add final touches and details to the figures and the surrounding landscape.

color palette

primary · red · green · blue · brown

secondary · pink · white · gray · yellow

Mix various shades of green by combining blue and yellow. Achieve the pink for cherry blossoms by mixing red and white. Use gray for the stone steps by mixing black and white.

techniques

  • ·flat washes
  • ·layering
  • ·color blocking
  • ·simplified linework
  • ·atmospheric perspective

common pitfalls

  • →Overcomplicating the architectural details.
  • →Using too much detail in the figures.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a clear focal point.

materials

surface · watercolor paper 140lb or stretched canvas

required

  • ·watercolor paints or acrylic paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·watercolor paper or canvas
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·ruler
  • ·masking tape
  • ·palette knife

Using high-quality paints and paper will yield better results. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji