apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spring Evening, Akershus Fortress
Spring Evening, Akershus Fortress by Harald Sohlberg

plate no. 2147

Spring Evening, Akershus Fortress

Harald Sohlberg, 1913

oilNeo-Romanticismlandscapetreeslandscapesunsetwaterboatssky
some experience helpful

Recreating this painting will help students develop skills in color blending to create atmospheric perspective and layering to build depth. Students will also practice painting detailed tree branches and creating a sense of distance.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the large tree, and the distant mountains.

  2. step 02

    Block in the sky with blended layers of yellow, orange, and purple, creating a gradient effect.

  3. step 03

    Paint the distant mountains and water with shades of blue and purple, adding subtle reflections.

  4. step 04

    Add the green foreground, blending different shades of green to create depth and texture.

  5. step 05

    Paint the large tree trunk and branches, using dark browns and blacks, paying attention to the branch structure.

  6. step 06

    Add the smaller trees in the mid-ground, using lighter tones to suggest distance.

  7. step 07

    Paint the path and fence, adding details to create a sense of perspective.

  8. step 08

    Add final details, such as the boats in the water and the subtle clouds in the sky.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium orange · alizarin crimson · viridian green

Mix yellow ochre and white for the sky's base. Add crimson to yellow for sunset hues. Use ultramarine and burnt umber for the tree and distant mountains. Mix viridian green with yellow and umber for the foreground.

techniques

  • ·color blending
  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·linear perspective

common pitfalls

  • →Overworking the blending in the sky, resulting in a muddy appearance.
  • →Not creating enough contrast between the foreground and background.
  • →Failing to accurately depict the perspective of the path and fence.
  • →Making the tree branches too uniform and unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·odorless mineral spirits (if using oils)

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the depth of colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Dancer and the Canary

The Dancer and the Canary

Ethel Léontine Gabain

Lilac and Tulips

Lilac and Tulips

Ethel Léontine Gabain

Women Welders at Williams & Williams, Chester

Women Welders at Williams & Williams, Chester

Ethel Léontine Gabain

Landscape. Cookham Dene.

Landscape. Cookham Dene.

Stanley Spencer

HMS 'Revenge' Leaving Harbour

HMS 'Revenge' Leaving Harbour

Richard Eurich

The Resurrection - Waking Up 2

The Resurrection - Waking Up 2

Stanley Spencer

Landscape with Magnolia

Landscape with Magnolia

Stanley Spencer

Solskin

Solskin

Harald Sohlberg