apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Sprichworte
Sprichworte by Pieter Brueghel the Younger

plate no. 5892

Sprichworte

Pieter Brueghel the Younger

oilNorthern Renaissancegenre paintingvillagefiguresbuildingsproverbsanimalslandscape
experienced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and architectural details, as well as understanding atmospheric perspective and color harmony.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and layout of the village and major buildings.

  2. step 02

    Divide the canvas into foreground, middle ground, and background to establish depth.

  3. step 03

    Block in the main colors for the buildings, landscape, and sky using thin washes.

  4. step 04

    Start adding details to the buildings, focusing on accurate proportions and perspective.

  5. step 05

    Begin painting the figures, working from large shapes to smaller details.

  6. step 06

    Gradually build up the colors and values, adding highlights and shadows to create depth.

  7. step 07

    Refine the details of the figures and objects, paying attention to their individual characteristics.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · ochre · raw umber · ivory black · titanium white

secondary · red earth · ultramarine blue · yellow ochre

Mix different shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Mix blue and yellow to create greens for the landscape.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·architectural rendering

common pitfalls

  • →Getting lost in the details and losing the overall composition.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too bright or saturated.
  • →Not paying attention to the proportions of the figures and buildings.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley