apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Spanish Village
Spanish Village by Mommie Schwarz

plate no. 9336

Spanish Village

Mommie Schwarz, 1914

oilCubismcityscapevillagebuildingshillsarchitectureskylandscape
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into basic shapes and practice expressive brushwork to create texture and form. It also encourages exploration of color mixing to achieve a harmonious, muted palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, hills, and sky, focusing on the overall composition.

  2. step 02

    Block in the main color areas with thin washes, establishing the light and shadow patterns.

  3. step 03

    Begin adding thicker paint layers, using visible brushstrokes to define the forms and textures.

  4. step 04

    Mix and apply various shades of browns, greens, and blues to create depth and dimension in the hills and sky.

  5. step 05

    Refine the details of the buildings, paying attention to the angles and planes.

  6. step 06

    Add highlights and shadows to enhance the three-dimensionality of the scene.

  7. step 07

    Blend some areas to soften edges and create a sense of atmosphere.

  8. step 08

    Step back and make final adjustments to the colors, values, and composition.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · sap green · titanium white · raw sienna

Mix burnt umber and ultramarine blue for dark shadows. Use yellow ochre and white for highlights on the buildings. Combine sap green and burnt umber for muted greens in the hills.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too bright and not in harmony with the overall palette.
  • →Failing to simplify the shapes and details of the buildings.
  • →Ignoring the importance of light and shadow in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·round brushes #4, #6, #8
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a limited palette of colors to achieve a harmonious effect. Consider using a toned canvas to start.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger