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home·artworks·Snowy Inokashira, Benten
Snowy Inokashira, Benten by Hasui Kawase

plate no. 1267

Snowy Inokashira, Benten

Hasui Kawase, 1929

oilShin-hangacityscapetemplesnowtreeswaterreflectionlandscape
some experience helpful

This painting is great for learning about color mixing for snow scenes and creating depth through atmospheric perspective. Recreating it will help students practice rendering reflections and capturing a sense of stillness.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the temple, trees, and water line.

  2. step 02

    Establish the main color blocks: dark blue for the water, light gray/white for the snow, and red for the temple.

  3. step 03

    Add the reflection of the temple in the water, ensuring it's slightly distorted and darker than the original.

  4. step 04

    Paint the trees, using varying shades of gray and white to create depth and volume.

  5. step 05

    Add the snow details on the trees, roof, and ground, using small, precise brushstrokes.

  6. step 06

    Paint the reeds in the foreground with ochre and brown tones.

  7. step 07

    Create the falling snow effect by adding small white dots throughout the scene.

  8. step 08

    Refine details and add subtle color variations to enhance the overall realism.

color palette

primary · ultramarine blue · titanium white · cadmium red

secondary · burnt umber · yellow ochre · payne's gray

Mix different shades of gray by combining white with small amounts of blue, umber, or red. Create snow shadows with light blues and purples. Achieve the temple red by mixing cadmium red with a touch of burnt umber.

techniques

  • ·atmospheric perspective
  • ·rendering reflections
  • ·dry brushing for snow texture
  • ·color layering
  • ·scumbling

common pitfalls

  • →Making the reflection too perfect and symmetrical.
  • →Using too much pure white, resulting in a flat, unrealistic snow effect.
  • →Ignoring the subtle color variations in the snow and trees.
  • →Overworking the details, losing the overall sense of stillness.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits

optional

  • ·retarder medium (for acrylics)
  • ·varnish

Use a smooth canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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