apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Snow at Ginkakuji
Snow at Ginkakuji by Asano Takeji

plate no. 9850

Snow at Ginkakuji

Asano Takeji, 1931

oilShin-hangacityscapebuildingsnowtreeslandscapewinterarchitecture
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and mastering the use of negative space to define shapes, especially in the snow-covered branches.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building, tree, and snow drifts.

  2. step 02

    Block in the background sky with a diluted grey-blue wash.

  3. step 03

    Apply a base layer of color to the building, using a light brown or ochre.

  4. step 04

    Paint the tree trunk with a mix of brown and grey, adding texture with dry brush strokes.

  5. step 05

    Add the snow on the branches and ground using white, paying attention to the shapes and shadows.

  6. step 06

    Layer darker tones to define the shadows and details of the building and snow.

  7. step 07

    Refine the details of the windows, railings, and other architectural elements.

  8. step 08

    Add final highlights to the snow and tree branches to create a sense of depth.

color palette

primary · grey-blue · brown · white

secondary · ochre · light grey · dark brown

Achieve the grey-blue sky by mixing blue with white and a touch of grey. Create variations in the snow by adding small amounts of blue or brown to the white.

techniques

  • ·layering
  • ·dry brushing
  • ·negative space
  • ·color washing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Making the snow too flat and uniform
  • →Ignoring the subtle color variations in the snow and sky
  • →Not establishing a clear focal point

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·flat brush
  • ·palette
  • ·water container
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Using a heavier weight watercolor paper will prevent buckling when applying washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji