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Sleeping Animals by Franz Marc

plate no. 1686

Sleeping Animals

Franz Marc, 1913

oilCubismanimal paintinganimalscubismabstractsleepinggeometric shapes
some experience helpful

Recreating this painting will help students understand color relationships and how to use geometric shapes to represent organic forms. It also encourages experimentation with expressive brushstrokes and layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the animals and the surrounding geometric forms.

  2. step 02

    Establish the main color blocks for the background, focusing on the arrangement of warm and cool colors.

  3. step 03

    Begin layering colors within each shape, using slightly different hues to create depth and visual interest.

  4. step 04

    Define the animal forms with darker blues and purples, paying attention to the contours and overlapping shapes.

  5. step 05

    Add highlights using lighter blues, yellows, and whites to suggest form and light.

  6. step 06

    Refine the details of the geometric shapes, adjusting colors and values as needed.

  7. step 07

    Use bold brushstrokes to add texture and energy to the composition.

  8. step 08

    Step back and assess the overall balance of color and form, making final adjustments as necessary.

color palette

primary · Prussian blue · Cadmium red · Lemon yellow

secondary · Viridian green · Ultramarine blue · Orange

Mix various shades of blue and purple for the animals. Use yellow and blue to create greens, and red and yellow for oranges. Experiment with adding white to create lighter tints.

techniques

  • ·Color blocking
  • ·Layering
  • ·Expressive brushstrokes
  • ·Geometric abstraction
  • ·Color mixing

common pitfalls

  • →Overblending colors, which can flatten the image.
  • →Losing the underlying structure of the geometric shapes.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the interplay of warm and cool colors.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Acrylic or oil paints
  • ·Round and flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (for cleaning brushes)
  • ·Rags

optional

  • ·Painting medium (for glazing)
  • ·Easel
  • ·Apron

Using a limited palette and mixing your own colors will help you understand color relationships better. Consider using a medium to increase the transparency of your paints for layering.

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oil painting for beginners →how to learn by studying the masters →
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