
plate no. 5840
Alexander Ivanov, 1845
Recreating this painting will help students develop skills in portraiture, particularly in rendering fabric and skin tones with subtle variations. It also provides practice in creating form through light and shadow.
technical profile
approach — 8 steps
Lightly sketch the outline of the figure, focusing on proportions and the placement of the turban.
Block in the background with a thin wash of blue and green, varying the tones slightly.
Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.
Begin to define the shadows on the face and neck, using a slightly darker mix of the skin tones.
Start working on the turban, using white with touches of gray and blue to create the folds and highlights.
Add details to the clothing, using white with subtle variations in tone to suggest the fabric's texture.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Make final adjustments to the values and colors to create a sense of depth and realism.
color palette
primary · titanium white · yellow ochre · burnt umber
secondary · ultramarine blue · raw sienna · cadmium red light
Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber to deepen shadows. Mix white with small amounts of blue and gray for the turban.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Portrait of a Young Woman
George Demetrescu Mirea

My daughters, Eva and Jeanne
Diogène Maillart

The Reluctant Bride
Auguste Toulmouche

The Proposal
Wladyslaw Czachorski

The Dressing Room
Henri-Pierre Picou

Girl with pinks
Wladyslaw Czachorski

Self-Portrait
George Demetrescu Mirea

Via Appia at Sunset
Alexander Ivanov