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Sketch of a Man by Alexander Ivanov

plate no. 5840

Sketch of a Man

Alexander Ivanov, 1845

oil, canvasAcademicismsketch and studyfigureportraitmanturbanclothinghead
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering fabric and skin tones with subtle variations. It also provides practice in creating form through light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the figure, focusing on proportions and the placement of the turban.

  2. step 02

    Block in the background with a thin wash of blue and green, varying the tones slightly.

  3. step 03

    Establish the basic skin tones using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Begin to define the shadows on the face and neck, using a slightly darker mix of the skin tones.

  5. step 05

    Start working on the turban, using white with touches of gray and blue to create the folds and highlights.

  6. step 06

    Add details to the clothing, using white with subtle variations in tone to suggest the fabric's texture.

  7. step 07

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and realism.

color palette

primary · titanium white · yellow ochre · burnt umber

secondary · ultramarine blue · raw sienna · cadmium red light

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber to deepen shadows. Mix white with small amounts of blue and gray for the turban.

techniques

  • ·underpainting
  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (titanium white, yellow ochre, burnt umber, ultramarine blue, raw sienna, cadmium red light)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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