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Sir Joshua Reynolds by Gilbert Stuart

plate no. 3250

Sir Joshua Reynolds

Gilbert Stuart, 1784

oilRococoportraitportraitfiguremanclothingdraperychair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, rendering skin tones, and creating a sense of depth through value and color variations. It also provides practice in depicting fabric and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle color variations and highlights.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Paint the background drapery and chair, using soft blending techniques to create a sense of depth.

  6. step 06

    Add details to the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  7. step 07

    Refine the hands and other details, such as the hair and the scroll on the table.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · cadmium red · yellow ochre

secondary · burnt umber · raw sienna · ultramarine blue

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Dark areas are created by mixing black and umber. The red drapery is a mix of cadmium red and burnt umber, lightened with white.

techniques

  • ·portrait painting
  • ·value studies
  • ·color mixing
  • ·blending
  • ·glazing

common pitfalls

  • →Incorrect proportions of the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to detail in the clothing and background.
  • →Failing to capture the likeness of the subject.
  • →Overblending, resulting in a flat appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium can be used to thin the paint and improve blending.

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oil painting for beginners →how to learn by studying the masters →
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