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home·artworks·Sir John Soane, in Masonic Costume, as Grand Superintendent and President of the Board of Works
Sir John Soane, in Masonic Costume, as Grand Superintendent and President of the Board of Works by John Jackson

plate no. 6925

Sir John Soane, in Masonic Costume, as Grand Superintendent and President of the Board of Works

John Jackson, 1829

oilRococoportraitportraitfiguremasonic costumeinteriorchairwindow
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics and textures. It also provides practice in creating depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, chair, and background elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Refine the skin tones, paying attention to subtle variations in color and value.

  4. step 04

    Develop the details of the clothing, including the folds and textures of the fabric.

  5. step 05

    Paint the background, creating depth and atmosphere with soft edges and muted colors.

  6. step 06

    Add the details of the masonic costume, including the gold embroidery and insignia.

  7. step 07

    Refine the details of the face, paying attention to the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · burnt umber · cadmium red · yellow ochre

secondary · ultramarine blue · titanium white

Mix skin tones using yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber for shadows. Achieve the black of the suit by mixing ivory black and burnt umber. Use ultramarine blue and titanium white for the blue details.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·fabric rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle value changes that create depth and atmosphere.
  • →Getting lost in the details before establishing the overall value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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