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home·artworks·Sir John Everett Millais
Sir John Everett Millais by George Frederick Watts

plate no. 7931

Sir John Everett Millais

George Frederick Watts

oilAcademicismportraitportraitfiguremanclothinghairprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering form with subtle value changes. It also provides practice in creating a dark, atmospheric background and using chiaroscuro to highlight the subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the dark background, leaving the figure's form suggested.

  4. step 04

    Begin building up the skin tones, focusing on subtle value changes to define form.

  5. step 05

    Add details to the hair, beard, and clothing, paying attention to texture and light.

  6. step 06

    Refine the facial features, capturing the likeness and expression.

  7. step 07

    Adjust the values and edges to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, a touch of red, and small amounts of burnt umber for shadows. The background is primarily black and burnt umber, with subtle variations in tone.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using too much color in the skin tones.
  • →Creating a background that is too flat or uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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