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home·artworks·Sir George and Lady Strickland in the Park at Boynton Hall
Sir George and Lady Strickland in the Park at Boynton Hall by Arthur Devis

plate no. 7068

Sir George and Lady Strickland in the Park at Boynton Hall

Arthur Devis

oilRococoportraitfigureslandscapetreeslakedogclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, landscape painting, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering fabric and details in clothing.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the landscape elements.

  2. step 02

    Block in the main shapes and colors of the background, starting with the sky and distant hills.

  3. step 03

    Establish the values and colors of the foreground, including the trees, ground, and log.

  4. step 04

    Begin to define the figures, focusing on their proportions and poses.

  5. step 05

    Add details to the clothing, such as folds, buttons, and lace.

  6. step 06

    Refine the facial features and expressions of the figures.

  7. step 07

    Paint the dog, paying attention to its anatomy and fur texture.

  8. step 08

    Add final details and highlights to the entire painting, ensuring a cohesive and balanced composition.

color palette

primary · ultramarine blue · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of green by combining ultramarine blue, yellow ochre, and raw umber. Achieve the pink tones of the dress by mixing cadmium red with titanium white and a touch of yellow ochre. Use glazes of raw umber and burnt sienna to create depth in the shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Failing to create a sense of depth in the landscape
  • →Muddying the colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grit canvas for better paint adhesion. Consider using a limited palette to simplify color mixing.

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