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home·artworks·Sir Aston Webb
Sir Aston Webb by Solomon Joseph Solomon

plate no. 9513

Sir Aston Webb

Solomon Joseph Solomon

oilAcademicismportraitportraitfiguremanbuildingarchitectureformal wear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating depth and form using subtle value changes and soft blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions and placement of the figure and background elements.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes and values of the eyes, nose, and mouth.

  4. step 04

    Develop the details of the clothing, using darker values to create depth and form.

  5. step 05

    Work on the background elements, suggesting the architectural details with loose brushstrokes and subtle color variations.

  6. step 06

    Refine the skin tones, using a combination of blending and layering to create a naturalistic effect.

  7. step 07

    Add highlights and details to the face and clothing to create a sense of realism.

  8. step 08

    Make final adjustments to the composition and values to ensure a cohesive and balanced painting.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Darken shadows with black and umber. Use white and yellow ochre for highlights.

techniques

  • ·portraiture
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Failing to capture the likeness of the subject.
  • →Using too much black and creating a muddy effect.
  • →Ignoring the subtle value changes that create depth and dimension.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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