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home·artworks·Sinister Paris Night
Sinister Paris Night by C. R. W. Nevinson

plate no. 9425

Sinister Paris Night

C. R. W. Nevinson

oilCubismcityscapecityscapebuildingstreetfigureslampnight
some experience helpful

Recreating this painting will help students understand how to simplify complex scenes into geometric shapes and use a limited palette to create a moody atmosphere. It also provides practice in creating depth through value changes and overlapping forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main geometric shapes of the buildings, arches, and street using a pencil.

  2. step 02

    Establish the darkest areas of the painting with a thin wash of burnt umber or a similar dark brown.

  3. step 03

    Block in the mid-tones using a mixture of raw umber and white, paying attention to the light source from the lamp.

  4. step 04

    Add highlights to the lamp, arches, and street using lighter tones of white mixed with a touch of yellow ochre.

  5. step 05

    Refine the shapes and edges of the buildings and street, using darker values to create shadows and depth.

  6. step 06

    Paint the figures with simplified forms, using dark values to suggest their silhouettes.

  7. step 07

    Add details to the lamp and the brickwork on the street, using small brushstrokes.

  8. step 08

    Glaze over areas with thin washes of color to unify the painting and create a sense of atmosphere.

color palette

primary · burnt umber · raw umber · titanium white

secondary · yellow ochre · ivory black

Achieve the various shades of brown and gray by mixing burnt umber, raw umber, and white in different proportions. Add a touch of yellow ochre for warmer highlights and ivory black for deeper shadows.

techniques

  • ·geometric abstraction
  • ·value study
  • ·limited palette
  • ·glazing
  • ·dry brushing

common pitfalls

  • →Overcomplicating the geometric shapes and losing the overall composition.
  • →Using too many colors and creating a muddy or chaotic effect.
  • →Failing to establish a strong value contrast, resulting in a flat and lifeless painting.
  • →Ignoring the light source and creating inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·burnt umber oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil or other painting medium

optional

  • ·palette knife
  • ·easel
  • ·medium gloss

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall mood of the painting.

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oil painting for beginners →how to learn by studying the masters →
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