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home·artworks·Shinnecock Landscape with Figures
Shinnecock Landscape with Figures by William Merritt Chase

plate no. 5315

Shinnecock Landscape with Figures

William Merritt Chase, 1895

oilImpressionismlandscapelandscapefigurestreesfieldpathsky
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to capture the light and atmosphere of a landscape. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the path, and the placement of the figures and trees.

  2. step 02

    Establish the sky with a light blue wash, blending it softly.

  3. step 03

    Block in the large shapes of the landscape with broad strokes of green, yellow, and brown, varying the values to create depth.

  4. step 04

    Add details to the trees and bushes, using short, broken brushstrokes to suggest foliage.

  5. step 05

    Paint the path with a light ochre color, adding shadows to define its form.

  6. step 06

    Introduce the figures, simplifying their forms and focusing on their color and placement.

  7. step 07

    Add highlights and shadows to the landscape to enhance the sense of light and atmosphere.

  8. step 08

    Refine the details and adjust the colors as needed to achieve a harmonious and impressionistic effect.

color palette

primary · yellow ochre · sap green · ultramarine blue · titanium white

secondary · burnt sienna · cadmium yellow light · alizarin crimson

Mix greens by blending yellow ochre and ultramarine blue. Achieve lighter values by adding titanium white, and create shadows by adding burnt sienna or alizarin crimson to the greens and yellows.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic effect.
  • →Using too much detail in the background, flattening the sense of depth.
  • →Creating overly saturated colors that appear unnatural.
  • →Neglecting the importance of value contrast in creating form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, sap green, ultramarine blue, titanium white, burnt sienna, cadmium yellow light, alizarin crimson)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·reference photo print

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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