apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Shichirigahama, Soshu
Shichirigahama, Soshu by Hasui Kawase

plate no. 7751

Shichirigahama, Soshu

Hasui Kawase, 1930

oilShin-hangalandscapebeachoceanmoonislandsfiguresnight
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as simplifying complex scenes into manageable shapes and values. It's a good exercise in capturing a sense of place and mood.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the islands and figures.

  2. step 02

    Establish the base colors for the sky, ocean, and sand using diluted washes.

  3. step 03

    Layer darker blues and purples in the sky to create depth and cloud formations.

  4. step 04

    Add the moon and its reflection on the water, using light yellows and whites.

  5. step 05

    Paint the islands and foliage with dark greens and browns, adding small details for the buildings.

  6. step 06

    Develop the figures on the beach, paying attention to their silhouettes and clothing patterns.

  7. step 07

    Add highlights and shadows to the sand and foliage to create texture and dimension.

  8. step 08

    Refine the details and adjust the values to achieve the desired mood and atmosphere.

color palette

primary · Prussian blue · Ultramarine blue · Yellow ochre

secondary · Payne's gray · Titanium white · Burnt umber

Mix blues with white to create the various shades of the sky and ocean. Use yellow ochre and white for the moon and its reflection. Mix browns and greens for the islands and foliage.

techniques

  • ·Layering
  • ·Color blending
  • ·Dry brushing
  • ·Scumbling
  • ·Glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using too much white and making the colors appear chalky.
  • →Failing to establish a strong value structure.
  • →Not simplifying the complex shapes of the islands and foliage.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brush (size 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Soft cloth or paper towels

optional

  • ·Retarder medium
  • ·Varnish

Use a smooth canvas for easier blending. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Xhosa woman

Xhosa woman

George Pemba

Spring Evening at Inokashira Park

Spring Evening at Inokashira Park

Hasui Kawase

Full Moon at Izu-ura, Ibaraki

Full Moon at Izu-ura, Ibaraki

Hasui Kawase

Frosty Morning in Nagaoka

Frosty Morning in Nagaoka

Hasui Kawase

Applying Powder

Applying Powder

Torii Kotondo

Drizzling Rain in Ukimido

Drizzling Rain in Ukimido

Asano Takeji

Woman in Summer Garment

Woman in Summer Garment

Goyo Hashiguchi

Twilight in the Village, Nara

Twilight in the Village, Nara

Asano Takeji