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home·artworks·Setting Sun. Sardine Fishing. Adagio
Setting Sun. Sardine Fishing. Adagio by Paul Signac

plate no. 9006

Setting Sun. Sardine Fishing. Adagio

Paul Signac, 1891

oil, canvasPointillismmarinaboatsseaskysunsetfiguresfishing
some experience helpful

Recreating this painting will help students understand color mixing through layering small dots and create a sense of depth and atmosphere using pointillism. It also encourages patience and precision in applying paint.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the horizon line and the general placement of the boats.

  2. step 02

    Block in the basic colors of the sky (yellow, orange, and hints of pink) using small dots.

  3. step 03

    Establish the color of the sea (blue, white, and hints of yellow) using the same dotting technique.

  4. step 04

    Gradually build up the color intensity by layering more dots of slightly different hues.

  5. step 05

    Paint the boats using darker colors (browns, blacks, and grays), paying attention to their relative sizes and positions.

  6. step 06

    Add the masts and figures in the boats with fine, precise dots.

  7. step 07

    Refine the colors and values in the sky and sea to create a sense of depth and atmosphere.

  8. step 08

    Add final details and highlights to the boats and water.

color palette

primary · yellow · blue · white

secondary · orange · brown · black

Achieve the sky colors by mixing yellow with small amounts of orange and white. Create the sea colors by mixing blue with white and hints of yellow. Use browns and blacks for the boats, varying the shades for depth.

techniques

  • ·pointillism
  • ·color layering
  • ·optical mixing
  • ·atmospheric perspective

common pitfalls

  • →Overmixing colors on the palette instead of letting the eye blend them.
  • →Making the dots too large or too uniform.
  • →Losing the sense of depth and atmosphere by not varying the color intensity.
  • →Getting impatient and rushing the dotting process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (yellow, blue, white, orange, brown, black)
  • ·small round brushes (sizes 0-2)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use high-quality oil paints for best results. Small, round brushes are essential for creating the pointillist effect.

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