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home·artworks·Self-Portrait with lace jabot
Self-Portrait with lace jabot by Maurice Quentin de La Tour

plate no. 5646

Self-Portrait with lace jabot

Maurice Quentin de La Tour

pastel, canvasRococoself-portraitportraitfiguremanclothinglacewig
some experience helpful

Recreating this portrait will help students develop skills in blending pastel colors for realistic skin tones and rendering fine details like lace and hair. It also provides practice in capturing likeness and expression.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main areas of light and shadow on the face and clothing with broad strokes of pastel.

  3. step 03

    Begin layering colors to build up the skin tones, focusing on subtle transitions and variations.

  4. step 04

    Refine the details of the eyes, nose, and mouth, paying close attention to their shape and placement.

  5. step 05

    Render the hair and wig, using short, curved strokes to create texture and volume.

  6. step 06

    Add details to the clothing, including the lace jabot and the folds of the jacket.

  7. step 07

    Blend and soften the edges of the pastel strokes to create a smooth, realistic finish.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · yellow ochre · burnt umber · Prussian blue

secondary · rose madder · ivory black · raw sienna · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, burnt umber, and a touch of rose madder. The blue jacket is a mix of Prussian blue and ivory black, lightened with white. Use ultramarine blue to darken the shadows.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·hatching
  • ·cross-hatching

common pitfalls

  • →Overblending, which can result in a muddy or flat appearance.
  • →Incorrect proportions, which can distort the likeness.
  • →Neglecting subtle color variations in the skin tones.
  • →Failing to capture the texture of the hair and clothing.

materials

surface · Pastel paper (toned)

required

  • ·Pastel set (soft and hard pastels)
  • ·Pastel pencils
  • ·Pastel paper (toned)
  • ·Kneaded eraser
  • ·Blending stumps
  • ·Fixative spray
  • ·Ruler
  • ·Pencil

optional

  • ·Palette knife
  • ·Workable fixative

Use a sanded pastel paper for better adhesion and layering. A mid-tone paper will make it easier to establish values.

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