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home·artworks·Self-portrait with Daughters
Self-portrait with Daughters by Antoine Pesne

plate no. 9285

Self-portrait with Daughters

Antoine Pesne, 1754

oil, canvasRococoportraitportraitfiguresclothingdogbookspalette
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict complex fabrics and textures with subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background and figures, focusing on accurate proportions.

  3. step 03

    Develop the skin tones using layers of thin glazes, paying attention to highlights and shadows.

  4. step 04

    Work on the clothing, rendering the folds and textures with careful brushwork and subtle color shifts.

  5. step 05

    Add details to the faces, including eyes, nose, and mouth, to capture the likeness of each figure.

  6. step 06

    Paint the smaller details like the dog, books, and palette, adding interest and complexity to the composition.

  7. step 07

    Refine the overall painting, adjusting values and colors as needed to create a harmonious and balanced image.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Create the velvet textures by layering burnt umber with subtle variations of red and black.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·fabric rendering
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and losing the subtle variations.
  • →Failing to capture the likeness of the figures.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x30
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints for glazing.

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