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home·artworks·Self-portrait with a fur hat
Self-portrait with a fur hat by Joseph Ducreux

plate no. 2197

Self-portrait with a fur hat

Joseph Ducreux

oilRococoself-portraitportraitmanfur hatclothingfacerococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in blending and layering paint to create subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the main features of the face and body, paying attention to proportions.

  2. step 02

    Block in the background with a thin wash of neutral color.

  3. step 03

    Establish the main areas of light and shadow on the face and clothing using a limited palette of earth tones.

  4. step 04

    Begin layering paint to build up the skin tones, focusing on subtle color variations and blending.

  5. step 05

    Add details to the eyes, nose, and mouth, paying close attention to their shape and expression.

  6. step 06

    Render the fur hat, using short, broken brushstrokes to create texture and volume.

  7. step 07

    Refine the details of the clothing and scarf, adding highlights and shadows to create depth.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · raw umber · ivory black · yellow ochre

secondary · cadmium red light · ultramarine blue

Mix skin tones by blending white, yellow ochre, raw umber, and a touch of red. Use black and umber to create shadows. The fur hat is achieved by mixing ochre, umber, and white.

techniques

  • ·portrait painting
  • ·blending
  • ·layering
  • ·scumbling
  • ·rendering fur

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle color variations.
  • →Failing to capture the likeness of the subject.
  • →Making the fur hat look flat and lifeless.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a glazing medium to enhance the luminosity of the colors.

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oil painting for beginners →how to learn by studying the masters →
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