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Self-portrait in the studio by Luis Paret y Alcazar

plate no. 8608

Self-portrait in the studio

Luis Paret y Alcazar, 1780

oilRococoself-portraitfigureself-portraitstudiooceanlandscapebusts
experienced study

Recreating this painting will help students develop skills in portraiture, rendering fabrics, and creating depth through atmospheric perspective. It also provides practice in depicting complex compositions with multiple elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and colors of the background, including the landscape and drapery.

  3. step 03

    Focus on the figure, starting with the face and then moving to the clothing and pose.

  4. step 04

    Gradually build up layers of paint, paying attention to the light and shadow to create form.

  5. step 05

    Add details to the objects in the studio, such as the busts, books, and papers.

  6. step 06

    Refine the colors and values throughout the painting to create a sense of depth and atmosphere.

  7. step 07

    Pay close attention to the details of the face to capture the likeness and expression of the artist.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · ultramarine blue · yellow ochre · raw sienna

Achieve the skin tones by mixing white, red, and a touch of yellow ochre and umber. Use ultramarine blue and white for the cooler tones in the drapery and landscape. Mix burnt umber and ivory black for the dark shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not capturing the likeness and expression of the artist.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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