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home·artworks·Self-Portrait
Self-Portrait by Pierre Jean Van der Ouderaa

plate no. 9811

Self-Portrait

Pierre Jean Van der Ouderaa, 1879

oilAcademicismself-portraitportraitmanbeardartistpalettepainting
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the major shapes and values using thin washes of color.

  3. step 03

    Focus on accurately capturing the likeness of the subject, paying close attention to the proportions and angles of the face.

  4. step 04

    Build up the skin tones gradually, using layers of thin paint to create subtle variations in color and value.

  5. step 05

    Define the details of the face, such as the eyes, nose, and mouth, using small brushes and careful brushstrokes.

  6. step 06

    Render the clothing and background, paying attention to the folds and textures of the fabric.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white with small amounts of burnt sienna, raw umber, and yellow ochre. Use ivory black and raw umber for dark areas and shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong, especially in the face.
  • →Overworking the details too early in the process.
  • →Using too much paint, which can make the painting look muddy.
  • →Failing to create enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for painting.

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