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Self-portrait by Nicholas Hilliard

plate no. 5755

Self-portrait

Nicholas Hilliard, 1577

oilNorthern Renaissanceself-portraitportraitmalefigureruffbeardhat
experienced study

Recreating this portrait will help students practice detailed rendering of facial features, capturing subtle skin tones, and creating the illusion of texture in clothing and hair. It will also help with understanding light and shadow to create form.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, shoulders, and hat, paying attention to proportions and angles.

  2. step 02

    Lightly map out the major areas of light and shadow on the face and clothing.

  3. step 03

    Begin blocking in the background with a dark blue-purple mix, adding subtle variations in tone.

  4. step 04

    Start building up the skin tones with thin layers of paint, focusing on the highlights and shadows to define the form.

  5. step 05

    Carefully render the details of the eyes, nose, and mouth, paying attention to the subtle variations in color and value.

  6. step 06

    Paint the beard and hair, using small brushstrokes to create texture and dimension.

  7. step 07

    Render the ruff with careful attention to the folds and highlights, using a combination of light and dark tones.

  8. step 08

    Add the details of the clothing and hat, paying attention to the textures and patterns.

color palette

primary · ivory black · raw umber · yellow ochre · titanium white

secondary · ultramarine blue · alizarin crimson · gold

Mix skin tones by blending yellow ochre, raw umber, titanium white, and a touch of alizarin crimson. Darken areas with ivory black and raw umber. Use ultramarine blue and ivory black for the background.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Getting the proportions wrong in the initial sketch.
  • →Failing to capture the subtle variations in skin tone.
  • →Oversimplifying the details of the ruff and clothing.

materials

surface · stretched canvas

required

  • ·Stretched canvas (round)
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brush (size 6)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·medium gloss
  • ·retarder medium
  • ·easel

Use high-quality paints for best results. Consider using a toned canvas to make it easier to judge values.

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