plate no. 1978
Self-Portrait
Lyonel Feininger, 1915
some experience helpful
Recreating this painting will help students understand how to break down complex forms into geometric shapes and use color to define planes and create depth. It also provides practice in mixing subtle color variations within a limited palette.
technical profile
palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3
study guide
est. 12 hrsapproach — 8 steps
- step 01
Lightly sketch the basic shapes of the figure, window arches, and background using a pencil.
- step 02
Divide the face and body into distinct geometric planes, simplifying the forms.
- step 03
Block in the background with light blue and gray tones, creating a soft, diffused effect.
- step 04
Apply the base colors for the face and clothing, focusing on the light and shadow areas.
- step 05
Mix and apply the darker tones to define the edges and create contrast within the geometric planes.
- step 06
Add the details of the eyes, mouth, and hair, using small, precise brushstrokes.
- step 07
Refine the shapes and colors, paying attention to the subtle variations in tone and hue.
- step 08
Add final highlights and shadows to enhance the three-dimensional effect.
color palette
primary · yellow ochre · ultramarine blue · burnt umber
secondary · cadmium red · viridian green · titanium white
Mix various shades of yellow ochre with burnt umber and white for the skin tones. Create the blues by mixing ultramarine with white and a touch of burnt umber to mute the color. Use cadmium red mixed with burnt umber for the hair and lips.
techniques
- ·geometric abstraction
- ·planar analysis
- ·color blocking
- ·subtle blending
- ·limited palette
common pitfalls
- →Oversimplifying the forms and losing the likeness of the subject.
- →Creating muddy colors by overmixing.
- →Ignoring the subtle variations in tone and hue.
- →Making the geometric planes too rigid and unnatural.
materials
surface · stretched canvas
required
- ·Stretched canvas (16x20 inches)
- ·Acrylic or oil paints
- ·Round brushes (sizes 2, 4, 6)
- ·Flat brushes (sizes 4, 8)
- ·Palette
- ·Palette knife
- ·Odorless mineral spirits or water (depending on paint type)
- ·Linseed oil (for oil paints)
optional
- ·easel
- ·medium gloss
- ·retarder medium
Use good quality paints for better color saturation and longevity. Pre-toned canvas with a neutral color will help with color accuracy.
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