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home·artworks·Self-Portrait
Self-Portrait by Károly Lotz

plate no. 1001

Self-Portrait

Károly Lotz, 1875

oilRomanticismself-portraitportraitmanbeardhatfaceclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering form through subtle value changes. It also provides practice in creating a sense of depth and atmosphere using a limited color palette.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and hat.

  2. step 02

    Establish the darkest areas of the painting, focusing on the background and shadows.

  3. step 03

    Block in the mid-tones and highlights on the face, beard, and hat, paying attention to the direction of light.

  4. step 04

    Refine the facial features, adding details to the eyes, nose, and mouth.

  5. step 05

    Develop the texture of the beard using short, broken brushstrokes.

  6. step 06

    Adjust the values and colors throughout the painting to create a sense of depth and realism.

  7. step 07

    Add final details, such as highlights in the eyes and subtle variations in color.

  8. step 08

    Glaze with thin layers to unify the painting and enhance the colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Mix burnt umber and ivory black for the dark background. Use raw sienna and white for the skin tones, adding small amounts of red for warmth. Mix cadmium red with burnt umber for the hat.

techniques

  • ·portrait painting
  • ·chiaroscuro
  • ·dry brushing
  • ·glazing
  • ·value studies

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of light and shadow.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ivory black, yellow ochre)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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