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home·artworks·Self Portrait
Self Portrait by Jose Moreno Carbonero

plate no. 0968

Self Portrait

Jose Moreno Carbonero, 1895

canvas, oilAcademicismportraitportraitmanbeardfaceclothingself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and facial features.

  2. step 02

    Establish the overall value structure by blocking in the dark background and the general areas of light and shadow on the face and clothing.

  3. step 03

    Begin refining the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  4. step 04

    Develop the skin tones by layering and blending different colors, focusing on capturing the subtle variations in value and hue.

  5. step 05

    Add details to the beard and hair, using small, controlled brushstrokes to create texture and form.

  6. step 06

    Refine the clothing and background, ensuring that they recede into the shadows and do not distract from the face.

  7. step 07

    Add highlights to the face and clothing to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the overall composition, ensuring that the painting is balanced and harmonious.

color palette

primary · ivory black · burnt umber · yellow ochre · titanium white

secondary · cadmium red light · ultramarine blue

Mix various shades of brown and gray by combining ivory black, burnt umber, and yellow ochre. Use small amounts of cadmium red light to warm up the skin tones. Add titanium white to lighten the values and create highlights.

techniques

  • ·portrait painting
  • ·value studies
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of facial features
  • →Over-blending, resulting in a flat, lifeless appearance
  • →Ignoring subtle value changes, leading to a lack of depth
  • →Getting the skin tones wrong

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·mahogany palette

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value structure.

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