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Self-portrait by José Campeche

plate no. 4251

Self-portrait

José Campeche, 1800

oilRococoself-portraitself-portraitfigurepaintingartisteaselclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering clothing folds. It also provides practice in depicting different textures and materials.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the artist's figure, the easel, and the painting he's holding.

  2. step 02

    Block in the main color areas: background, skin tones, clothing, and the painting within the painting.

  3. step 03

    Start refining the facial features, paying close attention to proportions and values.

  4. step 04

    Develop the details of the clothing, focusing on the highlights and shadows to create form.

  5. step 05

    Work on the painting within the painting, capturing the expression and drapery.

  6. step 06

    Add details to the easel and background, keeping them less defined than the figure.

  7. step 07

    Refine the edges and details throughout the painting.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · yellow ochre · titanium white · raw umber

secondary · Prussian blue · cadmium yellow light · alizarin crimson

Skin tones are achieved by mixing yellow ochre, raw umber, titanium white, and small amounts of alizarin crimson. The black clothing is a mix of ivory black and raw umber. The blue in the painting is Prussian blue mixed with white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Ignoring the subtle color variations in the clothing.
  • →Making the background too detailed, distracting from the main subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify color mixing.

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