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Self Portrait by Joos van Cleve

plate no. 9135

Self Portrait

Joos van Cleve

oilNorthern Renaissanceportraitportraitfigureclothingflowerhathand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding the use of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and hand placement.

  2. step 02

    Establish the background with a gradient of light blue, blending smoothly.

  3. step 03

    Block in the main areas of color: skin tones, black clothing, and the hat.

  4. step 04

    Begin refining the facial features, paying close attention to the subtle variations in skin tone and the placement of highlights and shadows.

  5. step 05

    Add details to the clothing, including the collar and the folds in the fabric.

  6. step 06

    Paint the flower, focusing on the delicate petals and stem.

  7. step 07

    Refine the hands, paying attention to the knuckles and fingernails.

  8. step 08

    Add final details and highlights to the entire painting, ensuring that the overall composition is balanced and harmonious.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · cerulean blue · yellow ochre · alizarin crimson

Skin tones can be achieved by mixing titanium white, cadmium red light, raw umber, and a touch of yellow ochre. The black clothing is a mixture of ivory black with a touch of raw umber to soften the color.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Making the black clothing too flat and lifeless.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·cerulean blue oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss

Use high-quality oil paints for the best results. A smooth canvas surface will make blending easier.

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