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Self-portrait by Jean-Paul Laurens

plate no. 4231

Self-portrait

Jean-Paul Laurens, 1876

oilAcademicismself-portraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating depth and form through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of features.

  2. step 02

    Establish the background with a thin wash of neutral tones.

  3. step 03

    Block in the main shapes of the face, hair, beard, and clothing with corresponding values.

  4. step 04

    Begin layering and blending colors to refine the skin tones, paying attention to highlights and shadows.

  5. step 05

    Add details to the eyes, nose, and mouth, focusing on capturing the likeness.

  6. step 06

    Work on the beard and hair, using short, broken brushstrokes to create texture.

  7. step 07

    Refine the clothing and background, adding subtle details and variations in tone.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · raw umber · burnt sienna · ivory black · titanium white

secondary · cadmium red light · yellow ochre

Mix skin tones by combining raw umber, burnt sienna, and titanium white, adjusting the ratios to create highlights and shadows. Use small amounts of cadmium red light to add warmth to the cheeks and lips.

techniques

  • ·underpainting
  • ·layering
  • ·blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle value changes in the face and clothing.
  • →Failing to capture the texture of the beard and hair.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.

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