apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self Portrait
Self Portrait by Jean Béraud

plate no. 4199

Self Portrait

Jean Béraud, 1909

oilAcademicismself-portraitportraitmanformal weartop hatprofileself-portrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones and textures. It also provides practice in creating subtle value gradations and depicting formal attire.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the profile and overall composition.

  2. step 02

    Establish the background with a thin wash of neutral color, gradually building up darker tones.

  3. step 03

    Block in the main areas of the face, hair, and clothing with broad strokes, focusing on the overall values.

  4. step 04

    Refine the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Develop the details of the clothing, including the collar, bow tie, and jacket, using a variety of brushstrokes.

  6. step 06

    Add the small details like the pin and the handkerchief.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · burnt umber · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use small amounts of yellow ochre and cadmium red to warm up the skin tones.

techniques

  • ·portrait sketching
  • ·value studies
  • ·glazing
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the details too early in the process.
  • →Using too much paint and losing the subtle value gradations.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended for this project.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus