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home·artworks·Self-portrait
Self-portrait by Henryk Rodakowski

plate no. 2553

Self-portrait

Henryk Rodakowski

oilRomanticismself-portraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering subtle skin tones. It's also a good exercise in creating depth and form using a limited color palette.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the basic proportions and placement of the head, shoulders, and facial features.

  2. step 02

    Establish the overall background color with a thin wash of muted green/brown.

  3. step 03

    Block in the main areas of light and shadow on the face and clothing using broad strokes.

  4. step 04

    Refine the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Develop the beard and hair, using short, broken strokes to create texture.

  6. step 06

    Add highlights to the face, hair, and clothing to create a sense of depth and dimension.

  7. step 07

    Blend edges and soften transitions to create a smooth, realistic finish.

  8. step 08

    Add final details, such as subtle variations in skin tone and texture.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, burnt sienna, and a touch of red. Shadows are created by adding raw umber and black to the skin tone mixture. The background is a mix of raw umber, black, and a touch of green.

techniques

  • ·portraiture
  • ·blending
  • ·value study
  • ·scumbling
  • ·limited palette

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to capture the correct proportions of the face.
  • →Using too much color and creating a garish effect.
  • →Ignoring the subtle variations in skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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