apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self-Portrait
Self-Portrait by Hans Baldung

plate no. 6847

Self-Portrait

Hans Baldung, 1526

oilNorthern Renaissanceself-portraitportraitfigureclothingfurhatring
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to depict different textures like fur and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure's basic proportions and pose.

  2. step 02

    Establish the background with a dark, neutral tone.

  3. step 03

    Block in the main areas of color: skin, clothing, fur, and hat.

  4. step 04

    Begin layering and blending the skin tones, paying attention to subtle variations in light and shadow.

  5. step 05

    Develop the details of the clothing, focusing on the folds and highlights.

  6. step 06

    Render the fur texture using short, broken brushstrokes and varying values.

  7. step 07

    Add details to the face, including eyes, nose, and mouth, and refine the overall likeness.

  8. step 08

    Add final details like the ring and any highlights.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and umber. Darken values with ivory black and raw umber. Create the fur color by mixing black, umber, and a touch of white.

techniques

  • ·portrait painting
  • ·chiaroscuro
  • ·glazing
  • ·blending
  • ·rendering fur texture

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Over-blending the skin tones, resulting in a flat appearance.
  • →Failing to capture the subtle variations in value and color.
  • →Getting the fur texture wrong by making it too uniform.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints: ivory black, raw umber, titanium white, cadmium red, yellow ochre, burnt sienna
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley