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Self-portrait by Frederic Leighton

plate no. 2990

Self-portrait

Frederic Leighton, 1880

oil, canvasAcademicismself-portraitportraitfiguremanbeardrobebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding drapery and fabric folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the proportions and placement of the figure.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Focus on the skin tones, building up layers of color to create depth and realism.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights.

  5. step 05

    Refine the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add details to the beard and hair, using small brushstrokes to create texture.

  7. step 07

    Work on the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final highlights and shadows to create a sense of depth and dimension.

color palette

primary · burnt umber · titanium white · cadmium red

secondary · yellow ochre · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Use varying ratios to create highlights and shadows. The robe is primarily red with white mixed in for highlights.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in value and color.
  • →Creating overly harsh or defined lines.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, titanium white, cadmium red, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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