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Self-portrait by Angelica Kauffman

plate no. 9750

Self-portrait

Angelica Kauffman, 1785

oil, canvasRococoself-portraitportraitwomanhatdresshairrococo
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering delicate fabrics and skin tones. It also provides practice in creating soft, diffused lighting and subtle color transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the oval composition and the figure's pose, paying attention to proportions.

  2. step 02

    Block in the main areas of color: skin, hair, dress, hat, and background.

  3. step 03

    Begin refining the skin tones, using thin layers of paint and subtle blending.

  4. step 04

    Develop the details of the dress, focusing on the ruffles and folds.

  5. step 05

    Paint the hair, using small, controlled brushstrokes to create the curls.

  6. step 06

    Add the details of the hat and its embellishments.

  7. step 07

    Refine the background, ensuring it complements the figure.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · ivory black · ultramarine blue · raw sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. Shadows are created by adding burnt umber and a hint of blue. The dress is primarily white with subtle variations of yellow ochre and grey.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Using too much paint, obscuring the underlayers.
  • →Neglecting the subtle variations in skin tone.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (oval shape if possible)
  • ·Oil paints (titanium white, yellow ochre, burnt umber, cadmium red light, ivory black, ultramarine blue, raw sienna)
  • ·Assorted brushes (round and flat, various sizes)
  • ·Palette
  • ·Linseed oil or painting medium
  • ·Odorless mineral spirits or turpentine
  • ·Palette knife
  • ·Soft cloths

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending.

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