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Self-Portrait by Alexandre Cabanel

plate no. 9320

Self-Portrait

Alexandre Cabanel, 1852

oil, canvasAcademicismself-portraitportraitmanbeardhairclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in achieving subtle gradations of light and shadow to create form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and background.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on accurate color mixing and subtle transitions.

  4. step 04

    Define the features of the face, paying close attention to the eyes, nose, and mouth.

  5. step 05

    Add details to the hair and beard, using small brushstrokes to create texture.

  6. step 06

    Refine the clothing and background, ensuring they recede into the shadows.

  7. step 07

    Add final highlights and details to enhance the realism of the portrait.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · yellow ochre · cadmium red light

Achieve skin tones by mixing white with varying amounts of burnt sienna, raw umber, and a touch of cadmium red light. Darken shadows with ivory black and raw umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and losing the subtle gradations.
  • →Making the shadows too dark and losing detail.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for painting.

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