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home·artworks·Self Portrait as a Child
Self Portrait as a Child by Alexandre Cabanel

plate no. 1930

Self Portrait as a Child

Alexandre Cabanel, 1836

oil, canvasAcademicismself-portraitportraitfigureclothinghairfaceboy
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle color mixing for skin tones, and rendering of fabric textures. It also provides practice in creating a sense of depth and form through careful observation of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing on the canvas.

  2. step 02

    Establish the main light and shadow areas with thin washes of color, focusing on the overall value structure.

  3. step 03

    Begin building up the skin tones, mixing a range of colors from light to dark and blending them smoothly.

  4. step 04

    Define the features of the face, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Work on the hair, using small brushstrokes to create texture and volume.

  6. step 06

    Paint the clothing, capturing the folds and shadows in the fabric.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · titanium white · burnt umber · yellow ochre · ivory black

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, burnt umber, and a touch of red. Vary the proportions to create different shades. The brown coat is primarily burnt umber with touches of black and yellow ochre. The background is a muted mix of umber, black, and white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of the facial features.
  • →Overly harsh or muddy skin tones.
  • →Lack of attention to the subtle variations in light and shadow.
  • →Getting lost in details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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