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home·artworks·Self Portrait (aged 17)
Self Portrait (aged 17) by Alexandre Cabanel

plate no. 6723

Self Portrait (aged 17)

Alexandre Cabanel, 1840

oil, canvasAcademicismself-portraitportraitfiguremanclothinghairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, subtle value transitions, and capturing a likeness. It also provides practice in rendering fabric and hair with realistic textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on accurate proportions and placement of features.

  2. step 02

    Establish the basic skin tones using a limited palette of earth tones and white.

  3. step 03

    Begin layering in shadows and highlights to create form and volume in the face.

  4. step 04

    Pay close attention to the subtle color variations in the skin, especially around the eyes, nose, and mouth.

  5. step 05

    Render the hair with loose, flowing brushstrokes, capturing the highlights and shadows.

  6. step 06

    Paint the clothing with simple, dark tones, focusing on the folds and drapery.

  7. step 07

    Add details to the face, such as the eyes, eyebrows, and lips, to capture the likeness of the subject.

  8. step 08

    Refine the overall painting, adjusting values and colors as needed to create a harmonious and realistic image.

color palette

primary · titanium white · burnt umber · yellow ochre · cadmium red

secondary · ivory black · ultramarine blue

Mix skin tones by blending white, yellow ochre, burnt umber, and a touch of cadmium red. Use ultramarine blue and burnt umber to create dark shadows and neutral tones.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·value study
  • ·modeling

common pitfalls

  • →Inaccurate proportions can ruin the likeness of the subject.
  • →Over-blending can result in a flat, lifeless painting.
  • →Ignoring subtle color variations in the skin can make the portrait look unnatural.
  • →Getting the values wrong can make the form look distorted.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

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oil painting for beginners →how to learn by studying the masters →
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