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home·artworks·Seeking Shelter
Seeking Shelter by Giuseppe Mazzolini

plate no. 5564

Seeking Shelter

Giuseppe Mazzolini

oil, canvasAcademicismgenre paintingfigureschildrenbuildingdoorlandscapestorm
experienced study

Recreating this painting will help students develop skills in figure painting, particularly rendering realistic skin tones and drapery, as well as creating a sense of depth and atmosphere through value and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main architectural elements.

  2. step 02

    Establish the dark background values using a thin wash of burnt umber and black.

  3. step 03

    Block in the main shapes of the figures with simplified color masses, paying attention to the light source.

  4. step 04

    Begin refining the skin tones, using a limited palette of white, yellow ochre, and red.

  5. step 05

    Develop the drapery, focusing on the folds and highlights created by the wind.

  6. step 06

    Add details to the building and landscape, using smaller brushes and more precise strokes.

  7. step 07

    Glaze thin layers of color to unify the painting and create depth.

  8. step 08

    Add final highlights and details to the figures' faces and clothing.

color palette

primary · burnt umber · titanium white · yellow ochre · ivory black

secondary · cadmium red · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create the dark background and shadows. Mix ultramarine blue and burnt umber for the darker greens in the landscape.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned ground to help establish the dark values.

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