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home·artworks·Seated Figure of Summer
Seated Figure of Summer by Giuseppe Arcimboldo

plate no. 6272

Seated Figure of Summer

Giuseppe Arcimboldo, 1573

oil, canvasMannerism (Late Renaissance)allegorical paintingfruitvegetablesallegorical figurelandscapeskyarchitecture
experienced study

Recreating this painting will develop skills in rendering complex forms through careful observation of light and shadow, as well as building up layers of color to achieve realistic textures. Students will also learn about creating depth and atmosphere in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, focusing on the placement and proportions of the figure and landscape.

  2. step 02

    Establish the basic shapes of the fruits and vegetables, paying attention to their individual forms and how they connect to create the figure.

  3. step 03

    Block in the main color areas for the background landscape, creating a sense of depth and atmosphere.

  4. step 04

    Start layering colors on the fruits and vegetables, building up highlights and shadows to create volume and texture.

  5. step 05

    Pay close attention to the details of each object, such as the skin of the fruits, the texture of the leaves, and the reflections of light.

  6. step 06

    Refine the details of the landscape, adding highlights to the clouds and creating a sense of distance.

  7. step 07

    Add final touches to the figure, such as the eyes and mouth, to bring the character to life.

  8. step 08

    Glaze the entire painting with thin layers of color to unify the composition and create a sense of depth.

color palette

primary · burnt umber · yellow ochre · cadmium red · titanium white

secondary · sap green · ultramarine blue · raw sienna

Achieve the warm, earthy tones by mixing burnt umber, yellow ochre, and cadmium red. Use white to create highlights and sap green and ultramarine blue for cooler shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Failing to establish a strong value structure
  • →Ignoring the subtle color variations in the fruits and vegetables
  • →Losing the overall composition by focusing too much on individual elements

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·painting easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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