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home·artworks·Schinkelbuurtje Sun
Schinkelbuurtje Sun by Piet Mondrian

plate no. 6692

Schinkelbuurtje Sun

Piet Mondrian, 1899

oilImpressionismcityscapebuildingswatercityscapeskyreflections
some experience helpful

Recreating this painting will help students develop skills in capturing reflections and creating depth through loose, expressive brushstrokes. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings and the waterline with light pencil strokes.

  2. step 02

    Block in the main color areas: sky, buildings, water, and ground, using thinned paint.

  3. step 03

    Establish the darkest values in the buildings and reflections.

  4. step 04

    Add lighter values to create form and dimension in the buildings and water.

  5. step 05

    Develop the reflections in the water, paying attention to color and value relationships.

  6. step 06

    Refine the details of the buildings, such as windows and rooflines, with thicker paint.

  7. step 07

    Add highlights to the water and buildings to create a sense of light and atmosphere.

  8. step 08

    Review and adjust the overall composition, ensuring that the values and colors are balanced.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · cadmium red light

Mix raw umber and white for the buildings and sky. Use burnt sienna and a touch of red for the roofs. Add ultramarine blue to raw umber for the darker areas of the water.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Failing to capture the subtle color variations in the water and sky.
  • →Making the reflections too literal and not abstract enough.
  • →Not establishing a clear value structure, resulting in a flat painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grit canvas for better texture. Thin the oil paints with linseed oil for smoother blending.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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