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home·artworks·Scenery at Shelburne, Vermont
Scenery at Shelburne, Vermont by David Johnson

plate no. 0747

Scenery at Shelburne, Vermont

David Johnson, 1865

oilRomanticismlandscapelandscapetreesmountainsskyfoliagefigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It also provides practice in rendering realistic foliage and tree structures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, and foreground elements.

  2. step 02

    Establish the sky with a light blue wash, blending it smoothly.

  3. step 03

    Block in the distant mountains with muted browns and blues, paying attention to atmospheric perspective.

  4. step 04

    Begin layering the foliage, starting with darker greens and gradually adding lighter highlights.

  5. step 05

    Paint the tree trunks and branches, observing their structure and form.

  6. step 06

    Add details to the foreground, including rocks, grass, and the figure.

  7. step 07

    Refine the values and colors throughout the painting, ensuring a sense of depth and realism.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · sap green

secondary · titanium white · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre, sap green, and a touch of ultramarine blue. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·layering
  • ·blending
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →Overworking the details in the distant mountains, which should be kept soft and muted.
  • →Using too much bright green, which can make the foliage look unnatural.
  • →Ignoring the subtle value changes that create depth and form.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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