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home·artworks·Saying her prayers
Saying her prayers by Léon Bazile Perrault

plate no. 6713

Saying her prayers

Léon Bazile Perrault, 1868

oil, canvasAcademicismgenre paintingfiguremotherchildinteriorprayerclothing
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and subtle gradations of light and shadow. It also provides practice in depicting fabric and textures.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones, focusing on accurate color mixing and subtle transitions.

  4. step 04

    Develop the details of the clothing, paying attention to the folds and textures.

  5. step 05

    Refine the facial features, capturing the expressions of the mother and child.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the overall color balance and contrast to achieve a harmonious effect.

  8. step 08

    Add final details and refine edges.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and small amounts of red and brown. Use ivory black and raw umber to create the dark tones in the clothing and background. Add white to these dark colors to create highlights and midtones.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Incorrect proportions of the figures.
  • →Failing to capture the subtle nuances of light and shadow.
  • →Getting lost in details before establishing the overall composition.
  • →Not paying attention to the direction of light.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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