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home·artworks·Satellitium
Satellitium by Edward Wadsworth

plate no. 2167

Satellitium

Edward Wadsworth, 1942

oilSurrealismlandscapeharborseastructuresskybuoysarchitecture
some experience helpful

Recreating this painting helps students practice geometric shapes, linear perspective, and subtle color blending to create a surreal atmosphere. It also encourages careful observation of light and shadow on simple forms.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective lines of the pier.

  2. step 02

    Block in the large shapes of the sky, sea, and pier with thin washes of color.

  3. step 03

    Define the geometric structures with accurate lines and shapes.

  4. step 04

    Mix and apply the local colors of each object, gradually building up layers of paint.

  5. step 05

    Add subtle highlights and shadows to create form and depth.

  6. step 06

    Refine the details of the brickwork and other architectural elements.

  7. step 07

    Paint the distant ships and lighthouse with muted colors to suggest distance.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired mood.

color palette

primary · ochre · cerulean blue · burnt sienna

secondary · viridian green · cadmium red light · ivory black

Achieve the muted tones by mixing complementary colors and using white to adjust values. The sea is a mix of blues and greens with a touch of brown to dull the color. The pier uses ochre and burnt sienna with white to create the variations in tone.

techniques

  • ·linear perspective
  • ·color mixing
  • ·glazing
  • ·geometric shapes

common pitfalls

  • →Inaccurate perspective can ruin the sense of depth.
  • →Overly bright or saturated colors can detract from the painting's mood.
  • →Neglecting subtle value changes can make the forms appear flat.
  • →Rushing the initial sketch can lead to compositional problems later on.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·ruler

Use a smooth canvas to achieve the subtle blending and smooth surfaces in the painting. Acrylics are more beginner-friendly, while oils allow for more blending time.

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related guides

oil painting for beginners →how to learn by studying the masters →
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