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home·artworks·Santo Tomás De Villanueva Dando Limosna (after Murillo)
Santo Tomás De Villanueva Dando Limosna (after Murillo) by Antonio Cabral Bejarano

plate no. 9719

Santo Tomás De Villanueva Dando Limosna (after Murillo)

Antonio Cabral Bejarano, 1860

oilAcademicismreligious paintingfiguresreligious scenearchitectureclothingchildreninterior
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating depth through atmospheric perspective. It also provides practice in composing a complex scene with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the figures, focusing on accurate proportions and anatomy.

  4. step 04

    Develop the skin tones using layers of glazing and scumbling.

  5. step 05

    Add details to the clothing and architectural elements.

  6. step 06

    Pay attention to the light source and create highlights and shadows accordingly.

  7. step 07

    Refine the background and create atmospheric perspective by softening edges and reducing contrast.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, and titanium white, with small amounts of cadmium red for warmth. Use ivory black to darken shadows and create depth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Overly harsh or flat lighting
  • →Neglecting atmospheric perspective
  • →Getting lost in details too early
  • →Muddy colors due to overmixing

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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