
plate no. 1934
John Jackson, 1820
Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value changes to create form. It also provides practice in blending and layering paint to achieve smooth transitions.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.
Block in the background with a thin, even layer of dark red-brown paint.
Establish the main light and shadow areas on the face using a limited palette of earth tones.
Begin layering and blending the skin tones, paying close attention to subtle value changes.
Paint the hair, using short, directional brushstrokes to suggest texture and form.
Block in the dark tones of the clothing and collar.
Refine the details of the face, including the eyes, nose, and mouth.
Add highlights and finishing touches to the hair and clothing.
color palette
primary · titanium white · burnt umber · raw sienna
secondary · ivory black · cadmium red light
Mix various combinations of white, umber, and sienna to achieve the skin tones. Add small amounts of red for warmth and black for shadows. The background is primarily burnt umber with a touch of red.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.
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