apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Samuel Wesley
Samuel Wesley by John Jackson

plate no. 1934

Samuel Wesley

John Jackson, 1820

oilRococoportraitportraitmanclothingfacehairneck
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value changes to create form. It also provides practice in blending and layering paint to achieve smooth transitions.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Block in the background with a thin, even layer of dark red-brown paint.

  3. step 03

    Establish the main light and shadow areas on the face using a limited palette of earth tones.

  4. step 04

    Begin layering and blending the skin tones, paying close attention to subtle value changes.

  5. step 05

    Paint the hair, using short, directional brushstrokes to suggest texture and form.

  6. step 06

    Block in the dark tones of the clothing and collar.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add highlights and finishing touches to the hair and clothing.

color palette

primary · titanium white · burnt umber · raw sienna

secondary · ivory black · cadmium red light

Mix various combinations of white, umber, and sienna to achieve the skin tones. Add small amounts of red for warmth and black for shadows. The background is primarily burnt umber with a touch of red.

techniques

  • ·portrait sketching
  • ·value studies
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the skin tones and losing the subtle value changes.
  • →Making the hair look flat and lifeless.
  • →Ignoring the reflected light in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West