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home·artworks·Samois, Study Nr. 8
Samois, Study Nr. 8 by Paul Signac

plate no. 9573

Samois, Study Nr. 8

Paul Signac, 1899

oil, canvasPointillismlandscapewatertreesskylandscapebuildingsreflections
some experience helpful

Recreating this painting will help students develop skills in color mixing and applying pointillist brushstrokes to create form and texture. It also provides practice in capturing reflections and atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: horizon line, placement of trees, buildings, and water.

  2. step 02

    Block in the sky with light blue and lavender hues, using short, distinct brushstrokes.

  3. step 03

    Establish the main color masses for the trees, using a mix of greens, yellows, oranges, and blues.

  4. step 04

    Paint the water with horizontal strokes, reflecting the colors of the sky and trees.

  5. step 05

    Add details to the buildings and shoreline, using small dabs of color.

  6. step 06

    Refine the colors and values throughout the painting, adding highlights and shadows.

  7. step 07

    Pay close attention to the color relationships and how they create depth and form.

  8. step 08

    Add final touches and adjust the overall balance of the painting.

color palette

primary · ultramarine blue · cadmium yellow · titanium white · alizarin crimson

secondary · viridian green · yellow ochre · violet

Mix greens by blending blues and yellows, and create violets by combining blues and reds. Use white to lighten colors and create variations in value. Achieve the orange hues by mixing red and yellow.

techniques

  • ·pointillism
  • ·color mixing
  • ·broken color
  • ·optical mixing
  • ·scumbling

common pitfalls

  • →Overmixing colors on the palette, resulting in muddy tones.
  • →Applying brushstrokes too uniformly, losing the vibrancy of the pointillist style.
  • →Ignoring the color relationships between different areas of the painting.
  • →Failing to capture the reflections accurately.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium that promotes blending can be helpful.

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