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home·artworks·Saint Ouen, le Marché Malik, l'hiver
Saint Ouen, le Marché Malik, l'hiver by Pierre-Jacques Pelletier

plate no. 2170

Saint Ouen, le Marché Malik, l'hiver

Pierre-Jacques Pelletier, 1914

pastelImpressionismcityscapecityscapesnowbuildingstreesstreetfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through subtle value and color changes. It also provides practice in capturing the texture of snow and the bare branches of trees.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and perspective.

  2. step 02

    Block in the sky and distant building with a thin wash of muted colors.

  3. step 03

    Establish the main shapes of the buildings and trees, paying attention to their relative sizes and positions.

  4. step 04

    Start building up the snow-covered ground with layers of cool grays and browns, using short, broken strokes.

  5. step 05

    Add details to the buildings, such as windows and doors, using a fine brush.

  6. step 06

    Paint the bare branches of the trees, using a thin brush and a dark color.

  7. step 07

    Add the figures in the distance, keeping them simple and indistinct.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · titanium white · raw umber · payne's gray

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the muted tones by mixing white with small amounts of umber, gray, and ochre. Use blue to cool down the grays for the snow.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Making the colors too saturated and bright.
  • →Not paying attention to the perspective and proportions.
  • →Creating too much contrast and losing the subtle value changes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

color theory for painters →how to learn by studying the masters →
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