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home·artworks·Saint Luke painting the Virgin
Saint Luke painting the Virgin by Mabuse

plate no. 5065

Saint Luke painting the Virgin

Mabuse, 1520

oil, woodNorthern Renaissancereligious paintingfiguresarchitecturereligiousinteriorcolumnscityscape
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details, drapery, and achieving realistic skin tones. It also provides practice in creating a sense of depth and perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to perspective and proportions.

  2. step 02

    Block in the main shapes and colors of the background architecture and figures.

  3. step 03

    Begin layering colors to establish the base tones for the skin, drapery, and architectural elements.

  4. step 04

    Add details to the figures, focusing on the facial features and folds in the clothing.

  5. step 05

    Refine the architectural details, including the columns, arches, and decorative elements.

  6. step 06

    Develop the checkered floor, paying attention to the perspective.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply final glazes to unify the colors and enhance the overall effect.

color palette

primary · ivory black · burnt umber · yellow ochre · cadmium red light

secondary · ultramarine blue · raw sienna · gold

Mix various shades of brown and gray for the architecture. Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue. Create the pinkish-red drapery by mixing cadmium red light with white and a touch of burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·linear perspective
  • ·chiaroscuro

common pitfalls

  • →Incorrect perspective in the architecture
  • →Overly saturated colors
  • →Lack of detail in the figures
  • →Uneven blending of skin tones

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine
  • ·linseed oil
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the base colors.

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oil painting for beginners →how to learn by studying the masters →
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